{"id":1996,"date":"2024-08-26T10:46:14","date_gmt":"2024-08-26T08:46:14","guid":{"rendered":"https:\/\/www.acusmatiq.it\/?page_id=1996"},"modified":"2024-08-26T11:07:44","modified_gmt":"2024-08-26T09:07:44","slug":"xxiii-cim-colloqui-di-informatica-musicale-ancona-2022","status":"publish","type":"page","link":"https:\/\/www.acusmatiq.it\/?page_id=1996","title":{"rendered":"XXIII CIM &#8211; Colloqui di Informatica Musicale, Ancona, 2022"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-1024x680.png\" alt=\"\" class=\"wp-image-2030\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-1024x680.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-300x199.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-768x510.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-1536x1020.png 1536w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-nologos-2048x1360.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>CIM (Colloquio di Informatica Musicale\/Colloquium of Musical Informatics) is the Italian conference on computer music since 1976. It is organized by AIMI (Ass.ne Informatica Musicale Italiana) and in its XXIII edition was hosted by Universit\u00e0 Politecnica delle Marche and Acusmatiq MATME with the friendly support of Siemens Musikstiftung.<\/p>\n\n\n\n<p>It consisted of a 3-day scientific program, 3 evening concerts and multiple listening sessions. It hosted scholars and composers from all over Italy and beyond, 3 keynote speakers and demonstrations from music industry companies.<\/p>\n\n\n\n<p>Below you will find salient information regarding this edition, including the scientific program, the music program, the proceedings and the sponsors. For more information refer to the <a href=\"https:\/\/www.aimi-musica.org\/?page_id=3520\" data-type=\"link\" data-id=\"https:\/\/www.aimi-musica.org\/?page_id=3520\">related AIMI page<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Opening Concert<\/h2>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\" style=\"background-color:#e7e7e7\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"XXIII Colloquio di Informatica Musicale - Ancona 2022\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/gGEKcS_PW88?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p style=\"font-style:normal;font-weight:400\">Pieces: <br>Arne Nordheim, Dinosauros (1971) for accordion and tape <br>Kaija Saariaho, Jardin Secret II (1984-86) for harpsichord and tape <br>James Tenney, SAXONY (1978) for saxophone quartet and live electronics <br>Luigi Nono, Post-prae-ludium n.1 per Donau (1987) for tuba and live electronics <\/p>\n\n\n\n<p style=\"font-style:normal;font-weight:400\">Performers: <br>Sylviane Sapir, live electronics <br>Nicola Casetta and Alessandro Petrolati, sound diffusion <br>Roberta Pandolfi, harpsichord <br>Raffaele Damen, accordion <br>Sidera Saxophone Quartet (Gianpaolo Antongirolami, Michele Selva, Michele Bianchini, Daniele Berdini, saxophones) <br>Giancarlo Schiaffini, tuba <\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Proceedings<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-logosqr-1024x683.png\" alt=\"\" class=\"wp-image-2031 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-logosqr-1024x683.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-logosqr-300x200.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-logosqr-768x512.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/CIM-mole-logosqr.png 1134w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Proceedings are officially hosted by LIM (Laboratorio di Informatica Musicale) &#8211; Universit\u00e0 di Milano at <a href=\"http:\/\/cim.lim.di.unimi.it\/2022_CIM_XXIII_Atti.pdf\" data-type=\"link\" data-id=\"http:\/\/cim.lim.di.unimi.it\/2022_CIM_XXIII_Atti.pdf\">the following link<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Detailed Program<\/h2>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\"  class=\"wp-block-file__embed\" data=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/DETAILED-PROGRAM.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of DETAILED-PROGRAM.\"><\/object><a id=\"wp-block-file--media-43499c51-42b2-4cc0-9f68-0454334baa53\" href=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/DETAILED-PROGRAM.pdf\">DETAILED-PROGRAM<\/a><a href=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/DETAILED-PROGRAM.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-43499c51-42b2-4cc0-9f68-0454334baa53\">Download<\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Music Program<\/h2>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\"  class=\"wp-block-file__embed\" data=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/MUSIC-PROGRAM.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of MUSIC-PROGRAM.\"><\/object><a id=\"wp-block-file--media-ff2fa457-3a86-40f4-8f77-7f372ce41be1\" href=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/MUSIC-PROGRAM.pdf\">MUSIC-PROGRAM<\/a><a href=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/MUSIC-PROGRAM.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-ff2fa457-3a86-40f4-8f77-7f372ce41be1\">Download<\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Keynote Speakers<\/h2>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\" style=\"background-color:#e7e7e7\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-scaled.jpg\" alt=\"\" class=\"wp-image-2005\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-scaled.jpg 2560w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-300x169.jpg 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-1024x576.jpg 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-768x432.jpg 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-1536x864.jpg 1536w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-2048x1152.jpg 2048w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-1110x624.jpg 1110w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elvira-Brattico_Interdiciplinaritet_MY_7647-edited-528x297.jpg 528w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n\n<p>ELVIRA BRATTICO, PHD<br>Keynote: Making sense of music: Insights from cognitive neuroscience<\/p>\n\n\n\n<p>Affiliation: <br>Prof. of Neuroscience, Music and Aesthetics, Department of Clinical Medicine, Aarhus University<br>Prof. of General Psychology (part-time), Department of Educational Sciences, Psychology, Communication, University of Bari Aldo Moro<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"811\" height=\"456\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/zattra1-edited.jpg\" alt=\"\" class=\"wp-image-2006\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/zattra1-edited.jpg 811w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/zattra1-edited-300x169.jpg 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/zattra1-edited-768x432.jpg 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/zattra1-edited-528x297.jpg 528w\" sizes=\"(max-width: 811px) 100vw, 811px\" \/><\/figure>\n\n\n\n<p>LAURA ZATTRA, PHD<br>Keynote: Lo strumento computer: metodi misti per studiarne passato e presente, tra archivi, fonti disperse e storia orale<\/p>\n\n\n\n<p>Affiliation: <br>Conservatori di musica di Bologna e Rovigo, Equipe APM IRCAM (Parigi)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/research-on-concert-hall-acoustics-at-aalto-university-1-edited.jpg\" alt=\"\" class=\"wp-image-2004\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/research-on-concert-hall-acoustics-at-aalto-university-1-edited.jpg 640w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/research-on-concert-hall-acoustics-at-aalto-university-1-edited-300x169.jpg 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/research-on-concert-hall-acoustics-at-aalto-university-1-edited-528x297.jpg 528w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p>HENNA TAHVANAINEN, PHD<br>Keynote: The resonant body of the string instrument<\/p>\n\n\n\n<p>Affiliation: <br>Post-doctoral researcher, Department of Industrial Engineering, University of Bologna<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Supporters and Sponsors<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"827\" height=\"354\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/evs_sponsorsignet-engl_rgb.jpg\" alt=\"\" class=\"wp-image-2007 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/evs_sponsorsignet-engl_rgb.jpg 827w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/evs_sponsorsignet-engl_rgb-300x128.jpg 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/evs_sponsorsignet-engl_rgb-768x329.jpg 768w\" sizes=\"(max-width: 827px) 100vw, 827px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Ernst von Siemens Musikstiftung &#8211; Supporting Institution<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/og-stemma-ancona.gif\" alt=\"\" class=\"wp-image-2008 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Comune di Ancona &#8211; Supporting Institution<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:19% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale-1024x753.png\" alt=\"\" class=\"wp-image-2009 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale-1024x753.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale-300x221.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale-768x565.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale-1536x1129.png 1536w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/orastron-logo-verticale.png 2043w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Orastron Srl &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:41% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"193\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo-viscount-PANTONEPositivo-con-payoff.eps_-1024x193.png\" alt=\"\" class=\"wp-image-2010 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo-viscount-PANTONEPositivo-con-payoff.eps_-1024x193.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo-viscount-PANTONEPositivo-con-payoff.eps_-300x56.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo-viscount-PANTONEPositivo-con-payoff.eps_-768x144.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo-viscount-PANTONEPositivo-con-payoff.eps_.png 1271w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Viscount International Spa &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:31% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"224\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/am_grey.png\" alt=\"\" class=\"wp-image-2011 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/am_grey.png 562w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/am_grey-300x120.png 300w\" sizes=\"(max-width: 562px) 100vw, 562px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Audio Modeling &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"645\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-1024x645.png\" alt=\"\" class=\"wp-image-2012 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-1024x645.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-300x189.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-768x484.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-1536x967.png 1536w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Elk_logo_light_bg-2048x1290.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Elk Audio &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:24% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"130\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo_artinoise-horiz-CMYK.png\" alt=\"\" class=\"wp-image-2013 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo_artinoise-horiz-CMYK.png 550w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/logo_artinoise-horiz-CMYK-300x71.png 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Artinoise &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"237\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/studiologic_logo_payoff_light-1024x237.png\" alt=\"\" class=\"wp-image-2014 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/studiologic_logo_payoff_light-1024x237.png 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/studiologic_logo_payoff_light-300x69.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/studiologic_logo_payoff_light-768x178.png 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/studiologic_logo_payoff_light.png 1462w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Studiologic &#8211; Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:24% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"709\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/INKAL-1024x709.jpg\" alt=\"\" class=\"wp-image-2015 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/INKAL-1024x709.jpg 1024w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/INKAL-300x208.jpg 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/INKAL-768x532.jpg 768w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/INKAL.jpg 1145w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">INKAL &#8211; Technical Sponsor<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Dissemination Partners<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"156\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/eventlogo_soundmit_museo_en.png\" alt=\"\" class=\"wp-image-2016 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/eventlogo_soundmit_museo_en.png 836w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/eventlogo_soundmit_museo_en-300x56.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/eventlogo_soundmit_museo_en-768x143.png 768w\" sizes=\"(max-width: 836px) 100vw, 836px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Soundmit<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"170\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/cinematica.png\" alt=\"\" class=\"wp-image-2017 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/cinematica.png 835w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/cinematica-300x61.png 300w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/cinematica-768x156.png 768w\" sizes=\"(max-width: 835px) 100vw, 835px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Cinematica Festival<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"421\" src=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Logo2.jpg\" alt=\"\" class=\"wp-image-2018 size-full\" srcset=\"https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Logo2.jpg 753w, https:\/\/www.acusmatiq.it\/wp-content\/uploads\/2024\/08\/Logo2-300x168.jpg 300w\" sizes=\"(max-width: 753px) 100vw, 753px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\">Risme Digitali<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Thanks to<\/h2>\n\n\n\n<p>General chairs:<\/p>\n\n\n\n<ul>\n<li>Leonardo Gabrielli, Universit\u00e0 Politecnica delle Marche<\/li>\n\n\n\n<li>Gianpaolo Antongirolami, Conservatorio di Perugia<\/li>\n<\/ul>\n\n\n\n<p>Scientific chairs:<\/p>\n\n\n\n<ul>\n<li>Stefano Delle Monache, Delft University of Technology<\/li>\n\n\n\n<li>Federico Fontana, Universit\u00e0 di Udine<\/li>\n\n\n\n<li>Stefano Squartini, Universit\u00e0 Politecnica delle Marche<\/li>\n\n\n\n<li>Luca Turchet, Universit\u00e0 di Trento<\/li>\n<\/ul>\n\n\n\n<p>Music chairs:<\/p>\n\n\n\n<ul>\n<li>Nicola Casetta, Conservatorio di Pesaro<\/li>\n\n\n\n<li>Alessandro Petrolati, Apesoft<\/li>\n<\/ul>\n\n\n\n<p>Program committee:<\/p>\n\n\n\n<ul>\n<li>Federico Avanzini, Universit\u00e0 di Milano<\/li>\n\n\n\n<li>Stefano Delle Monache, Delft University of Technology<\/li>\n\n\n\n<li>Federico Fontana, Universit\u00e0 di Udine<\/li>\n\n\n\n<li>Giorgio Klauer, Conservatorio di Venezia<\/li>\n\n\n\n<li>Stefano Papetti, Zurich University of the Arts<\/li>\n\n\n\n<li>Anna Terzaroli, Conservatorio di Benevento<\/li>\n<\/ul>\n\n\n\n<p>Local committee :<\/p>\n\n\n\n<ul>\n<li>Michela Cantarini, Universit\u00e0 Politecnica delle Marche<\/li>\n\n\n\n<li>Emanuele Storti, Universit\u00e0 Politecnica delle Marche<\/li>\n<\/ul>\n\n\n\n<p>Reviewing committee:&nbsp;<a href=\"https:\/\/www.aimi-musica.org\/?page_id=3532\" target=\"_blank\" rel=\"noreferrer noopener\">see full list here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CIM (Colloquio di Informatica Musicale\/Colloquium of Musical Informatics) is the Italian conference on computer music since 1976. It is organized by AIMI (Ass.ne Informatica Musicale Italiana) and in its XXIII edition was hosted by Universit\u00e0 Politecnica delle Marche and Acusmatiq MATME with the friendly support of Siemens Musikstiftung. It consisted of a 3-day scientific program, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/pages\/1996"}],"collection":[{"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1996"}],"version-history":[{"count":4,"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/pages\/1996\/revisions"}],"predecessor-version":[{"id":2032,"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=\/wp\/v2\/pages\/1996\/revisions\/2032"}],"wp:attachment":[{"href":"https:\/\/www.acusmatiq.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}